北京當代藝博會2026｜澳門青年美術協會

北京當代藝博會2026 ｜澳門年美術協會

北京當代·藝術博覽會：

北京當代·藝術博覽會創立於2018年，致力於當代藝術在中國及世界範圍內的價值發掘與推廣。作為具有中國代表性和世界包容性的當代藝術博覽會，北京當代藝博會以策展性、本土性、公共性為核心，以10個與藝術生態各個層級密切相關的單元，梳理當代藝術主體性與系統性的價值，打造藝術交易、展示與交流的頂層平台，形成聯動各方合作夥伴的城市藝術季節。

澳門青年美術協會

參展藝術家介紹：

黎小傑

Lai Sio Kit

1983年生於澳門，中央美術學院油畫系本碩連讀，現任中國美術家協會理事、澳門美術協會副理事長、澳門青年美術協會會長。作為橫跨創作與教育的藝術行動者，他身兼滺藝術教育中心創辦人暨藝術總監，曾任教澳門多所高校，構建從學院到社會的審美傳導鏈。

黎小傑的創作被譽為「澳門城市詩學的視覺編碼者」——從高空俯瞰的屋頂皺摺紋理，到望遠鏡框取的私密天台切片；從百年磚瓦的風化痕跡，到鋼筋叢林的光影拓撲。他以鏡頭般的凝視解剖城市紋理，透過油畫層疊的物質性，將建築表皮轉譯為承載集體記憶的「皮膚檔案」。這種介於地誌學考據與抒情抽象間的獨特語法，形成辨識度極高的當代澳門美學標本。

其作品曾於葡萄牙東方博物館（里斯本）、中國美術館（北京）、民生美術館（北京）、藝倉美術館（上海）等機構實現展覽四連跳，更四度入選中國美術界最高規格的「全國美展」。獲東方基金會造型藝術大獎、約翰莫爾繪畫獎（中國區）提名等殊榮，作品被葡萄牙東方基金會、澳門藝術博物館等機構典藏，並進入多國重要私人收藏體系。

Born in 1983 in Macao, Lai Sio Kit is a graduate of the Central Academy of Fine Arts (CAFA). He is currently the director of the Chinese Artists Association, vice president of the Macao Art Association and president of the Macao Youth Art Association. As an art activist who straddles between creation and education, he is also the founder and Art Director of the Pangaea Art Education Centre, and has taught in many universities in Macao, building a chain of aesthetic transmission from the academy to society.

Lai Sio Kit's creations have been labelled as ‘the visual coder of Macau's urban poetics’ - from the crinkled texture of rooftops viewed from above, to the slices of private rooftops framed by telescopes; from the weathering marks of century-old bricks and tiles, to the topography of light and shadows in the reinforced jungle. He dissects the texture of the city with a camera-like gaze, and through the overlapping materiality of the oil paintings, he translates the skin of the buildings into a ‘skin file’ that carries the collective memory. This unique syntax between topographical investigation and lyrical abstraction has formed a highly recognisable aesthetic specimen of contemporary Macau.

His works have been exhibited in four consecutive exhibitions at the Oriental Museum of Portugal (Lisbon), the National Art Museum of China (Beijing), the Minsheng Art Museum (Beijing), and the Art Warehouse Gallery (Shanghai), and have been selected for four times in the National Art Exhibition, which is the most prestigious exhibition of China's art world. He has been nominated for the Oriental Foundation's Grand Prize for Plastic Arts and the John Moore Painting Prize (China), and his works are in the collections of the Oriental Foundation of Portugal, the Macao Museum of Art, and other institutions, as well as in important private collections in many countries.

作品簡介

黎小傑的創作一直關於着城市的印記，作品在時間、符號、歲月的交織中創造出一種抽象的語言系統，數說着時光荏苒。

黎小傑

逝格

130x95cm

布面油畫

2026.2

李英維

LEI IENG WAI

李英維1986年出生於中國澳門。畢業於中國廣州美術學院油畫系獲文學碩士。現任澳門青年美術協會副會長。作品入選第十一屆全國美術作品展、葡萄牙東方基金會(澳門）藝術獎、英國Rize Art Prize等。

LEI IENG WAI was born in 1986 in Macao, China. He graduated from the Oil Painting Department of the Guangzhou Academy of Fine Arts in China with a Master of Arts degree. He currently serves as the Vice President of the Macao Youth Art Association. His works have been selected for the 11th National Exhibition of Fine Arts, the Oriental Foundation (Macao) Art Prize, the UK Rize Art Prize, and others.

作品簡介

光是帶領人類進入虛擬世界的主要途徑，我用彩虹這個元素來構成光譜，也將訊息、聲音、定位等元素加進我的作品裏，構成一個可視化的抽象空間，就像一張由人類共同創造的新世界地圖。我希望觀者在觀賞作品的同時，反思人類的生存狀態。

Light is the main way to lead human beings into the virtual world. I use rainbow as an element to form a spectrum of light, and I also add elements such as information, sound and positioning into my works to form a visualized abstract space, like a map of the new world created by human beings together. I hope that the viewers will reflect on the state of existence of human beings while watching my works.

李英維

彩虹

2022-09

120X120cm

布面油彩

2022

李英維

彩虹

2022-10

120X120cm

布面油彩

2022

吳麗嫦｜兔子

Wu Li Chang (Artist Name: Tuzi)

出生於澳門。 2011年本科畢業於澳門理工大學；2014年畢業於中央美術學院（版畫系）碩士；現于清華大學美術學院繪畫系攻讀美術學博士；研究方向：當代版畫藝術多元語言研究。作品多次參與國內外重要展覽，並獲清華大學美術學院、中央美術學院美術館、黑龍江美術館、澳門藝術博物館、台灣美術館等機構收藏。曾於北京、澳門舉辦多次個人展覽，並參與國內外多次展出，現居於北京從事藝術創作。

Born in Macao, lives and works in Beijing

Wu Li Chang received her Bachelor's degree from Macao Polytechnic University in 2011 and earned her Master's degree from the Printmaking Department of the Central Academy of Fine Arts in 2014. She is currently a PhD candidate in the Department of Painting at the Academy of Arts & Design, Tsinghua University, where her research focuses on the pluralistic language of contemporary printmaking.

Her works have been featured in numerous important exhibitions internationally and are held in public collections including the Academy of Arts & Design, Tsinghua University; CAFA Art Museum; Heilongjiang Art Museum; Macao Museum of Art; and Taiwan Museum of Art. She has held solo exhibitions in Beijing and Macao and participated in group exhibitions worldwide.

作品簡介

晨星 (Morning Star)

這幅木板水彩畫的描繪對象是我3歲女兒的海洋玩偶，畫面中的鯨魚與小丑魚相伴而行，象徵着母女之間的陪伴與守護，圖中的星形裝飾及場景取材於日常生活，記錄着她的童年成長過程以及與我一同走過的風景；畫名《晨星》寓意着黑暗將盡，光明將至；願她日後的成長如有星光同行，指引着光明的方向。

Morning Star

This watercolor on wood portrays the ocean-themed toys of my three-year-old daughter. In the composition, a whale and a clownfish swim side by side—symbolizing the companionship and protection shared between mother and child. The star-shaped ornaments and the surrounding scenes are drawn from everyday life, documenting her journey through childhood and the landscapes we have explored together.

The title Morning Star evokes the moment when darkness gives way to the coming light. May her path forward be guided by starlight, always leading her toward brightness and hope.

吳麗嫦

晨星

60X80CM

木板水彩

2026

林啓榮

LAM KAI WENG

林啓榮（2004年澳門出生），現居住於澳門，2026畢業於澳門理工大學視覺藝術學士學位(美術專業)。現為澳門青年美術協會理事，澳門美術協會員，澳門全藝社會員。

LAM KAI WENG (b. 2004, Macau) currently resides in Macau. He graduated from Macao Polytechnic University in 2026 with a Bachelor of Visual Arts (Oil painting). He is now a Council Member of the Macau Youth Art Association, a member of the Macau Art Association, and a member of the Macau Art For All Society.

作品簡介

媒體由象形文字板、印刷品、電視、互聯網、社交媒體等不同形式出現在社會；「他」既能推動思潮，也能塑造社會。

從文化菱形剖析，作品/事件中通過「分配者」這一角傳達；觀眾作為接受者，接收到可能會被「分配者」無意或刻意地「過濾」的理念/訊息。媒體則是連接二者的中介，如同「造物主」，影響著接收者的認知與世界觀。

藝術家也企圖以藝術作為媒體，站在「分配者」的角色中去令觀眾通過被所「安排好的」、「嘩眾取寵的」圖像引發人們對媒體信息真實性、權威性與影響力的反思。一一揭示媒體對世界所謂「上熱搜」和「爆款」的塑造能力，並進行機構批判。

畫面中，生物與環境等圖像以真實但不現實的方式組合，象徵著媒體構建的信息世界。畫面外，觀眾沈浸其中，正如現實中被媒體信息包圍的人們。當觀眾被這組作品吸引時，便如同 “接收者” 一般，吸收並解讀那些 “安排好的” 信息，從而使作品完整地呈現出這一信息傳播與接收的循環。

林啓榮

造物主

60X73.5CM

木板油彩

2025

林啓榮

上熱搜的斑馬

55X58CM

木板油彩

2025

林啓榮

爆款油漆

60X48CM

木板油彩

2025

梁嘉慧

LIANG JIA HUI

梁嘉慧，2025年畢業於澳門理工大學視覺藝術油畫專業，澳門青年美術協會理事，澳門美術協會會員，澳門全藝社會會員。

油畫是創作的主要媒材。作者常運用平面與三維空間相互結合的手法，並透過畫面構成與圖像語言的運用，傳達作者自身的世界觀；創作主題常觸及社會現象、內在孤獨、人性關係，試圖引發觀者對相關議題的反思與關注。

LIANG JIA HUI, She graduated from Macao Polytechnic University in 2025 with a Bachelor of Visual Arts (Oil painting). She is now a Council Member of the Macau Youth Art Association, a member of the Macau Art Association, and a member of the Macau Art For All Society.

Working primarily in oil painting, the artist frequently employs a distinctive approach that merges two-dimensional surfaces with three-dimensional spatial expressions. Through careful composition and visual language, she conveys her unique worldview. Her artistic themes often explore social phenomena, inner loneliness, and human relations, inviting viewers to reflect on and engage with these significant issues.

作品簡介

很多時候，我們並非主動選擇休息，而是被迫陷入一種停滯狀態；縱然心中所向，亦懷有向前的渴望，卻因為過度疲憊、環境壓力與內心迷惘的夾擊下，身心逐漸進入能量耗竭、動力低迷的循環，只能原地滯留。

《顯微鏡觀察系列》

作者以顯微鏡的視角去觀照現今社會中托兒所的日常樣態。托兒所是人第一次進入集體規則的場所，也是社會化最初形態的真實呈現。

這一空間就像一個縮影式社會：孩子們有的享用點心，有的在做功課時墜入白日夢、沈澱在自我的世界，也有的自在嬉戲。每個個體都沈浸於獨屬自己的小天地，卻已在無形中接受社會最原始的運行模式 —— 時間的規限、秩序的約束，以及何時該做何事的既定安排。

作者透過幼兒的小社會，映照成人世界的規則與壓力，展現成長背後的無奈與適應。

梁嘉慧

顯微鏡觀察-樣本1

布面油畫

8X28CM

2025

梁嘉慧

被動性休眠

布面油畫

40X40CM

2025

梁子豪（筆名子毛）

Leong Chi Hou

梁子豪（筆名子毛），1991年出生於中國內地，後移居至澳門。畢業於澳門理工學院藝術高等學校（今澳門理工大學藝術及設計學院），並取得視覺藝術油畫系學士，其後開設個人工作室「Chi-Mou Estúdio」。現為澳門美術協會及全藝社會員。

作品曾於葡萄牙、比利時、日本、中國內地、香港、澳門及台灣等地區展出。

創作以平面及裝置為主要形式，靈感核心圍繞著「價值」與「文化駁口」二詞。透過自身的移居經歷，以及在澳門這個後殖民地區的獨特語境下，作品持續探討地域文化間的生存狀態，以及藝術本質與價值體系的複雜相生關係。

Leong Chi Hou (Pseudonym: Chi Mou), born in 1991 in Mainland China, later moved to Macao. Graduated from Macao Polytechnic Institute – School of Arts (now known as Macao Polytechnic University – Faculty of Arts and Design) with a Bachelor’s degree in Visual Arts (Oil Painting). Founder of Chi-Mou Estúdio, as well as a member of the Macao Artists Association and Art for All Society.

Leong participated in lots of exhibitions including Portugal, Belguim, Japan, Mainland China, Hong Kong, Macao and Taiwan.

His works mainly focus on two forms: painting and installation. The core inspiration revolves around the two keywords “value” and “Cultural Interfaces”. Based on his personal migration experiences and under the Macau’s unique post-colonial context, his work continuously explores the survival states between regional cultures, as well as the complex relationship between the essence of art and the value system.

作品簡介

以鑽石、黃金及傳統絲綢等貴重消費商品的符號，重塑山水景觀，旨在消解他者鏡像所衍生的景觀敘事——將這些文化符碼轉化為宏觀的審美觀，從而提供一種新的審美權力表述。

By reshaping the SHANSHUI through the symbols of precious consumer goods—such as diamonds, gold, and traditional silk—this approach seeks to dissolve the landscape narratives derived from the Other’s mirror. It aims to transform these cultural codes into a macro-aesthetic vision, thereby offering a new articulation of aesthetic power.

梁子毛

股山水

40X125CM

鋁框,絲網塑膠彩

2025

梁子毛

股山水2

40X125CM

鋁框,絲網塑膠彩

2025

霍凱盛

Eric Fok

出生於澳門。作品以針筆繪畫仿古地圖形式加入當代元素，從大航海時代歷史探討城市發展，人口遷徙及全球化等現象等。作品曾獲2019年「Sovereign香港傑出亞洲藝術獎」2014 年「東方基金會藝術獎」大獎；入選「第50屆意大利波隆那插畫展」等。展覽包括：「歸嶼誌」霍凱盛個展（台灣日帝藝術畫廊）；「來者札記」霍凱盛作品展（香港凱倫偉伯畫廊）及「Erik Fok-Paraíso」(葡萄牙Arte Periférica 畫廊) ；「不可能的黑鬱金香」(佛羅倫斯Le Murate當代藝術中心)；「府城榮光－臺南市美術館開館展」(台南美術館)；「Truly False, exploring factualness」(米蘭Casa degli Artisti di Milano)；「Terra Suspensa - Exposição Colectiva de artistas de Macaau」(葡萄牙東方博物館)等。

曾參與藝術項目包括：香港大館中央裁判司署「全新常設展覽」委託作品《無序與秩序》；MGM大型數位藝術作品《長頸鹿與麒麟之相遇》；澳門文化局「澳門拉丁城區幻彩大巡遊」聖保祿大教堂遺址段主題裝置；「第六屆澳門文學節─雋文不朽」官方圖像設計；Starbucks委託系列作品及出版個人作品集《樂園：當古地圖遇上現代城市》香港三聯書局。

作品典藏於大館、葡萄牙東方博物館、香港大學美術館、華梵大學、澳門藝術博物館、澳門政府總部、澳門文化局、東方基金會(澳門)、澳門美獅美高梅、上葡京、Starbucks星巴克、香港大華銀行(UOB)、澳門大西洋銀行(BNU)、香港SOHO House等。

Eric Fok Born in Macao, His work by technical pen .The meticulous brushwork integrates the ancient map with the new constructions. It is a combination of tradition and modernity .His work were included in "Illustration Exhibition -Bologna Children's Book Fair(2013)", "Art Nova100 in China", "Sovereign Asian Art Prize" and the Oriental Foundation Art Award, etc. He has been involved in exhibitions and Art Fairs in New York, Italy, UK, Portugal, Spain, Japan, Korea, Singapore, China, Hong Kong, Macau and Taiwan, including "Erik Fok -Paraíso" (Portugal Arte Periférica Gallery) ; "FEBRE - Macao Contemporary Art 15 Artists" (Portugal Oriental Museum); “Conforming to Vicinity – A Cross-Strait Four-Region Artistic Exchange Project 2014”(Shenzhen He Xiangning Art Museum); "Swab Barcelona, (Fira Barcelona)" "Taipei International Art Fair" Taiwan World Trade Center). " “Parade through Macao, Latin City” Ruins of St. Paul’s zone promotional image design; "Macau Art Festival" ─ The World of Chaos“ Hungry ghost "illustrations; published personal works" Paradise: when the ancient maps meet modern cities. "His works are collected by The Orient Museum (Portugal), Tai Kwun Centre for Heritage and Arts, University of Hong Kong: University Museum and Art Gallery, the Macao Government Headquarters, Taiwan Huafan University, Cultural Affairs Bureau of the Macau S.A.R. , Oriental Foundation (Macao) , Soho House(HK), Starbucks, , Macau MGM Cotai ,Grand Lisboa Palace Macau etc.

作品簡介

地圖象徵一個時代，是人類探索、記錄甚至分割世界的成果，當中包含文明推進與權力慾望，既是人們的理想世界藍圖，作品按照當時西方旅人、探險家、傳教士等遊記、地圖等文獻，從他們經驗當中幻想昔日的東方世界，並繪畫澳門五光十色的娛樂場建築與馬路上擠擁的車輛，於仿古地圖上。回溯大航海時代殖民地開端，探索不同地方城市面對發展、去殖化及人口遷徙等議題，

Maps symbolize an era—they are the成果 of humanity's exploration, documentation, and even division of the world, encompassing both the advancement of civilization and the desire for power. They serve as blueprints for people’s ideal worlds. This work is based on travelogues, maps, and other documents left by Western travelers, explorers, and missionaries of the time, imagining the Eastern world through their experiences. It depicts the dazzling casino architecture and the crowded, traffic-filled streets of Macau on a pseudo-historical map. Tracing back to the beginnings of colonial expansion during the Age of Discovery, it explores issues faced by different cities and places, such as development, decolonization, and population migration.